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"I am going to ask you to think first and speak last," he began. "I don't want you to go into it hastily or unless you're quite sure you will like it." "It's better than I ever dreamed," she said to the amiable Griffin as she was showing her how to put the wet cloths about her work. "It's not half so hard as I thought it would be, either." "As to that," replied Etwald, with deliberation, "I foretell that Miss Dallas may get ill from perfectly natural signs. She was in love with Alymer; she is of a highly excitable and nervous character, so it is easy to know that unless great care is exercised her brain may be affected.".
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Conrad
Judith's bow was on one eye and her hat under her arm, showing that she had made great haste to join the growing crowd in the first antique room. She looked even more agitated than Patricia had expected her to be. Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had." "Voodoo!" she said, and that was all. But it was enough for Isabella. She shrieked and ran out of the room. Then Dido, still singing, appeared at the window, and looked at Mrs. Dallas with an expression of triumph. "I've got it!" she exclaimed. "I'll make a study of a man and girl for the prize design, and I'll call it 'Two's company.' I'll have them looking at the ring on her hand, with a lovely rapt expression. Oh, how I wish it weren't Sunday tomorrow. I'm crazy to begin it.".
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